14 Utah theatres participating in NowPlayingUtah’s Free Night of Theater during October

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Since 2005, the Free Night of Theater program has become an effective way of reaching out to audience members who had never seen a live theatrical performance or were curious about seeing a performance for the first time from a specific theater company. And, this year, Utah, participating for the ninth time, is offering an expanded version of the program that will give prospective theatergoers the chance during the entire month of October to see one of 17 productions by 14 local theater groups for free.

Free Night of Theatre LogoSponsored by NowPlayingUtah.com and coordinated with the LA Stage Alliance, the Free Month of Theater Program covers a broad spectrum of performing arts companies including the state’s major universities, the Utah Shakespeare Festival, Plan-B Theatre, Hale Centre Theatre in West Valley, Salt Lake Acting Company, and companies in other parts of the state.

“It has been one of the most effective ways of helping increase audience participation in the arts,” says Pat Holmes of NowPlayingUtah, “and the participating theatres have been extremely generous in rounding out the schedule for October.”

To enter for the chance to win tickets, prospective participants can register a profile here through Sept. 20. Individuals can select the top five performances that they would like to see, and they will be entered in a lottery to which they could win as many as three pairs of tickets. Winners will be notified by email on Sept. 26. Available performances will be held throughout October.

NPU LogoIn previous years, the campaign was limited to just one night of theater. The program started in 2005 with the support of Theatre Communications Group (TCG), the national organization for the American Theatre, as a pilot project with three cities. By 2007, the program gained traction throughout the country, and Utah participated for the first time. Within six years, the campaign involved more than 400 performing arts organizations in 19 states, offering more than 55,000 tickets for 1,800 performances. The LA Stage Alliance took over in 2012 to coordinate the network for the Free Night of Theater campaign.

Holmes says more than 650 people participated last year in Utah’s lottery for tickets and she expects the numbers to grow with the expanded opportunities being made available for the entire month. “We gather a good bit of anecdotal evidence from this campaign,” she explains, “and most people take up the opportunities because they normally might not be able to afford going to the theater or they are interested in giving their children the experience of live theater.” She adds that even though the program is no longer nationally coordinated, “we believe that the free night campaign is too important to let lapse.”

The Two Gentlemen of Verona by the Utah Shakespeare Festival is one of the 17 productions being offered during the October Free Night of Theater campaign.
The Two Gentlemen of Verona by the Utah Shakespeare Festival is one of the 17 productions being offered during the October Free Night of Theater campaign.
Several recent studies by the National Endowment for the Arts suggest that higher levels of audience participation for specific performing arts events are correlated with affordability, education and the exposure to the arts that audience members had during their childhood. In fact, childhood experiences with the arts were among the strongest correlating factors for arts participation as adults. According to the NEA, the odds of attending performances as adults are more than three times greater for those who attended a live music, theater, or dance performance in childhood, relative to those who did not.

The following theater companies and performances will be eligible for the program:

BYU Department of Theatre and Media Arts, Water Sings Blue

Caine College of the Arts, Utah State University, Cat on a Hot Tin Roof

Covey Center for the Arts, The Legend of Sleepy Hollow

Department of Theatre, University of Utah, Animal Farm

Hale Center Theater Orem, The Addams Family

Hale Centre Theatre (West Valley), Big Fish

Oquirrh Hills Performing Arts Alliance, Clue: The Musical and The Drowsy Chaperone

Plan-B Theatre Company, The Kreutzer Sonata

Salt Lake Acting Company, Tribes by Nina Raine

SCERA Center for the Arts, West Side Story and James and the Giant Peach

The Grand Theatre, Young Frankenstein

Utah Shakespeare Festival, Charley’s Aunt and The Two Gentlemen of Verona

Weber State University Lindquist College Theatre Area, Smokey Joe’s Café

Westminster College Theater, Behold, Zebulon

For more information on the Free Night//Month program and ticket registration, go here and click on Free Night of Theater.

 

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Les Roka
I am a native of Toledo, Ohio, having received my Ph.D. in journalism and mass communication from Ohio University's Scripps School of Journalism in 2002. In addition to teaching at Utah State University and the University of Utah, I have worked extensively in public relations for a variety of organizations including a major metropolitan university, college of osteopathic medicine, and community college. When it comes to intellectual curiosity, I venture into as many areas as possible, whether it’s about music criticism, the history of journalism, the practice of public relations in a Web 2.0 world and the soon-to-arrive Web 3.0 landscape, or how public debates are formed about many issues especially in the political arena. As a Salt Lake City resident, I currently write and edit a blog called The Selective Echo that provides an entertaining, informative, and provocative look at Salt Lake City and its cosmopolitan best. I also have been the U.S. editorial advisor for an online publication Art Design Publicity based in The Netherlands. And, I use social media tools such as Twitter for blogging, networking with journalists and experts, and staying current on the latest trends in culture and news. I also have been a regular monthly contributor to a Utah business magazine, and I have recently conducted a variety of editing projects involving authors and researchers throughout the country and the world, including Dubai, Saudi Arabia, Canada, Lebanon, Cyprus, the United Kingdom, France, and Japan. I’m also a classically trained musician who spent more than 15 years in a string quartet, being involved in more than 400 performances.

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