EDITOR’S NOTE: This is Part 2 of a two-part feature about the Great Salt Lake Fringe (GSLF) festival’s 10th anniversary, This year’s festival will comprise two weekends of performances (July 26-28 and August 2-4) at the Alliance Theater, connected to the Utah Arts Alliance, at Trolley Square. See Part 1 here, for a feature about … Read more
EDITOR’S NOTE: This is Part 1 of a two-part feature about the Great Salt Lake Fringe festival’s 10th anniversary, This year’s festival will comprise two weekends of performances (July 26-28 and August 2-4) at the Alliance Theater, connected to the Utah Arts Alliance, at Trolley Square. See Part 2 here, for a summary of this … Read more
A show-stopping moment in the Voodoo Theatre Company’s Utah premiere production of Clare Barron’s Dance Nation comes when Ashlee, who is just coming into her teen years, delivers the mother of all monologues that any adolescent girl could ever dream of speaking. Running approximately three and a half pages in the script, Ashlee knocks the … Read more
For the third year in a row, the Utah Arts Festival is highlighting its Emerging Artists program, which has institutionalized broadly the experiences of newcomers to UAF and how their presence is adding to and reshaping the next chapters of Utah’s arts and cultural evolution. This year’s representative artists are in the Artist Marketplace, dance, … Read more
Before the pandemic, street theater, roaming stiltwalkers, and aerial artists were part of the Utah Arts Festival experience and audiences scrambled whenever there was a performance either along the south-facing glass wall of the City Library or along the crescent arch or in the heart of the festival grounds. In 2014, Australia’s Strange Fruit using … Read more
EDITOR’S NOTE: The Utah Review begins its preview coverage today of the 48th Utah Arts Festival, which will be held June 28-30 (noon to 11 p.m. on June 28-30) on the Library Square in downtown Salt Lake City. As this is the state’s largest multidisciplinary arts and cultural gathering each year, The Utah Review considers … Read more
Ballet West’s 60th anniversary season has been simultaneously a celebration of its groundbreaking legacy in American dance and an exploration of fresh artistic possibilities going into the second quarter of the 21st century. Phil Chan, an internationally known choreographer whose organization Final Bow for Yellowface initially engaged the ballet world’s artistic gatekeepers to resist treating … Read more
Ririe-Woodbury Dance Company’s 60th anniversary season has been a unique experience. Last fall, Groundworks, its superb season opener which honored its founders (Shirley Ririe and Joan Woodbury) reminded us of legacies, which define why we cherish and prize something for its excellence and its value in the community. High school dancers were the focus of … Read more
In 2021, when the Repertory Dance Theatre (RDT) premiered Ihsan Rustem’s ebullient Hallelujah Junction, it was the evening program’s closing work and it drew a rousing roar of applause from the audience. Last week, Hallelujah Junction opened RDT’s Gamut show, a performance that immediately guaranteed a record mark was about to be set for a … Read more
Set to close out a superb 60th anniversary season, Ririe-Woodbury Dance Company’s Ascent show is pulling out all the stops for a thriller. There are two world premieres: Chapters of Being by Charlotte Boye-Christensen, who served as the company’s artistic director for 11 years, beginning in 2002, and Storyograph by current artistic director Daniel Charon. … Read more