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The Utah Review
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Sundance 2023
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Review
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Excellent, riveting limited docu-series The Deep End, directed by Jon Kasbe, focuses on controversial Utah-based spiritual teacher Teal Swan
August 15, 2022
Sundance 2023: Rich archival bounty defines historical significance of Indigo Girls in It’s Only Life After All
Robin Banks’ Static Patterns exhibition delightfully perceptive exploration of childhood home’s poetic space
Guatemala Acatenango Gesha: An extraordinary coffee experience at Caffe d’bolla
Sundance 2021: The Most Beautiful Boy in the World absorbing, sensitive story of the pains of objectification, fragile ephemerality of beauty
Sundance 2019: Where’s My Roy Cohn? a supremely well-timed documentary with...
January 30, 2019
Ballet West’s documentary series In The Balance: Ballet for a Lost...
May 5, 2021
Utah Film Center sets livestream event of Motherload documentary celebrating mothers,...
May 25, 2020
Sundance 2020: Epicentro marvelous, intriguing portrait of Cuba’s ‘little prophets’
January 26, 2020
Artistic excellence in season openers for Ririe-Woodbury Dance Company, Repertory Dance...
October 11, 2018
Sundance 2020: The Killing of Two Lovers superbly crafted, beautifully...
January 27, 2020
Utah Museum of Fine Arts’ two exhibitions offer sensational opportunity for...
February 13, 2020
Utah Film Center Damn These Heels 2020: World premiere Same-Sex Attracted...
July 10, 2020
Fascinating, innovative, collaborative: Top Ten Moments of the Utah Enlightenment for...
December 20, 2019
Popping every kernel of song, dance and comedy perfectly, Broadway-bound Shucked...
November 3, 2022
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