The untethered mind is at the heart of Peter Everett’s intellectually absorbing exhibition, Hypnagogic, which will close tomorrow (June 28) at Material, which quickly has become one of Salt Lake City’s most important contemporary art galleries in its short history. In music, there is synesthesia where the composer seeks to conjure up shapes and colors … Read more
EDITOR’S NOTE: The Utah Review will publish a daily diary about the Gina Bachauer International Piano Foundation’s 2024 International Artists Competition. Follow this link daily through June 30, as we update the proceedings, starting with the quarterfinals, continuing through the semi-finals and then to the final round when three pianists will compete for the prizes, … Read more
In 2017, when Ballet West launched its choreographic festival, Adam Sklute, artistic director, told Dance Magazine, “We want this festival for choreography to do what the Sundance Film Festival does for film—create a hub for creativity in dance.” Judging by the exceptionally enthusiastic response from the opening night audience, this week’s Choreographic Festival VI: Asian … Read more
Late spring is always special at the Utah Museum of Contemporary Art (UMOCA). The Utah Review looks at three of the latest exhibitions, including Out Loud: Growing Pains, Parable Bodies by Moses Williams and the works by Utah artists that are available in the 2024 Gala Art Auction: La Dolce Vita. OUT LOUD: GROWING PAINS: … Read more
The electropop opera Natasha, Pierre and The Great Comet of 1812 draws the audience into the stage action in ways unlike conventional experiences with musical theater. Take, for example, the rapid-fire exuberance of the Act II sequence comprising Balaga, The Abduction and In My House. On opening night for Pioneer Theatre Company’s (PTC) Utah premiere … Read more
Becoming more popular than its precursor “dream on,” the slangy derisive “in your dreams!” quickly took hold in the 1980s, making it painfully aware that despite desiring so much for something to happen, it will never be. With eight miniature scenes by four Utah playwrights, presented to a tiny audience of six persons per performance, … Read more
In the introduction to her superlative biography Joan of Arc: A History (2014), Helen Castor wrote about her subject’s unique position as historical figure and as an epitome of Medieval Age culture, military history, politics and religious faith: “Unsurprisingly, the effect of Joan’s gravitational field – the self-defining narrative pull of her mission – is … Read more
Nearly three years ago, the Utah Museum of Fine Arts’ (UMFA) already widely respected Japanese art collection expanded with the acquisition of 35 works by Chiura Obata (1885-1975), one of the most significant Japanese American artists of the twentieth century, thanks to a generous gift from the Obata estate. Undoubtedly, the announcement acquisition thrilled the … Read more
In a 2007 essay, art historian ShiPu Wang wrote that the works of Asian-American artists “are more than painterly creations that exude ‘transcendental beauty’ beyond cultural boundaries.” He added, “Their meaning and significance constantly shift and expand under different sociopolitical circumstances, and they do not remain incontrovertible objects or artifacts.” In her 1990 book, Mixed … Read more
Ririe-Woodbury Dance Company’s 60th anniversary season has been a unique experience. Last fall, Groundworks, its superb season opener which honored its founders (Shirley Ririe and Joan Woodbury) reminded us of legacies, which define why we cherish and prize something for its excellence and its value in the community. High school dancers were the focus of … Read more