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Excellent, riveting limited docu-series The Deep End, directed by Jon Kasbe, focuses on controversial Utah-based spiritual teacher Teal Swan

August 15, 2022

Sundance 2023: Rich archival bounty defines historical significance of Indigo Girls in It’s Only Life After All

Robin Banks’ Static Patterns exhibition delightfully perceptive exploration of childhood home’s poetic space

Guatemala Acatenango Gesha: An extraordinary coffee experience at Caffe d’bolla

Sundance 2021: The Most Beautiful Boy in the World absorbing, sensitive story of the pains of objectification, fragile ephemerality of beauty

Sundance 2020: Happy Happy Joy Joy – The Ren and Stimpy...

January 24, 2020

Audacious, experimental, unflinching: Top Ten Moments of the Utah Enlightenment for...

December 21, 2018

Sundance 2020: The Truffle Hunters sumptuous, entertaining, artful celebration of rare...

February 1, 2020

Slamdance 2019: Utah premiere of Dons of Disco, first-class documentary about...

January 27, 2019

A new twist to annual list of crowning achievements: The Utah...

December 20, 2022

Utah Film Center sets Rat Film documentary for free, public live...

April 20, 2020

UMOCA’s Working Hard to Be Useless spiritually rich multimedia exhibition on...

July 5, 2018

Impressive late summer entertainment with The Post Office, Rose Exposed #TRENDING

August 28, 2019
Tollhouse Pie

The Dodo restaurant is still a crowd pleaser after more than...

September 16, 2016

Three new excellent fall releases from Torrey House Press: Desert Cabal,...

October 1, 2018
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Recent Posts

  • Winter 2023 Roundup: Ballet West, Ririe-Woodbury, RDT, Bachauer, NOVA Chamber Music Series, Westminster College
  • Pioneer Theatre Company’s Putting It Together is a Sondheim tribute assembled like a perfect martini
  • Detrás del telón en la Música de Cámara de NOVA: Miguel Chuaqui, Nicolás Lell Benavides, Gabriela Lena Frank tratan sobre mezclar, integrar y entrelazar los hilos de la identidad en su música
  • Myriad Dance Company’s Notion is richly textured, entertaining choreographed journey through dimensions of human nature and the experience of judgment
  • Backstage at NOVA Chamber Music Series: Miguel Chuaqui, Nicolás Lell Benavides, Gabriela Lena Frank on crossing, integrating, intersecting multilayers of identity in their music  

Top Posts & Pages

Excellent, riveting limited docu-series The Deep End, directed by Jon Kasbe, focuses on controversial Utah-based spiritual teacher Teal Swan
Sundance 2023: Pianoforte is marvelous backstage documentary about Poland’s  Chopin piano competition
Popping every kernel of song, dance and comedy perfectly, Broadway-bound Shucked receives a splendid world premiere at Pioneer Theatre Company
Sundance 2023: Rich archival bounty defines historical significance of Indigo Girls in It’s Only Life After All
Sundance 2023: From the Iranian diaspora, a trio of outstanding films by women directors: The Persian Version, Shayda, Joonam
Two exhibitions at Utah Museum of Contemporary Art highlight creative entrepreneurship in its broadest scope, composing Latina art in vast, compelling spaces
Sundance 2023: The Amazing Maurice is splendid adaptation of Sir Terry Pratchett classic
Winter 2023 Roundup: Ballet West, Ririe-Woodbury, RDT, Bachauer, NOVA Chamber Music Series, Westminster College
Sundance 2020: The adventures of Timmy Failure: Mistakes Were Made are delightful; offer substantial meaning for family audiences

EDITOR PICKS

Winter 2023 Roundup: Ballet West, Ririe-Woodbury, RDT, Bachauer, NOVA Chamber Music...

March 20, 2023

Pioneer Theatre Company’s Putting It Together is a Sondheim tribute assembled...

March 13, 2023

Myriad Dance Company’s Notion is richly textured, entertaining choreographed journey through...

March 9, 2023

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Excellent, riveting limited docu-series The Deep End, directed by Jon Kasbe,...

August 15, 2022

Sundance 2023: Rich archival bounty defines historical significance of Indigo Girls...

January 23, 2023

Robin Banks’ Static Patterns exhibition delightfully perceptive exploration of childhood home’s...

August 1, 2018

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