Sundance 2020: The Glorias unique creative nonfiction take on the life’s work of Gloria Steinem

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Director Julie Taymor had hoped to close The Glorias, an admirable creative nonfiction treatment of Gloria Steinem’s historic life that premiered at Sundance, on a different note. Anticipating that Hillary Clinton would win the 2016 presidential election, Taymor, who also directed the exceptional biopic about artist Frida Kahlo, wanted to close her latest film on Steinem reacting to the former U.S. Secretary of State winning the presidency.

Instead, Taymor ended with an alternative that rings more potently in this presidential election year. Steinem is delivering a stemwinder at the Women’s March of 2017 in Washington, D.C., encouraging groups to resist President Trump’s policies. The speech has aged very well but Steinem, now in her eighties, has had a remarkable career built upon an even more remarkable vision for equality and equity in all realms of American life. The Glorias essentially is a meta work in progress.

Julianne Moore appears in The Glorias by Julie Taymor, an official selection of the Premieres program at the 2020 Sundance Film Festival. Courtesy of Sundance Institute | photo by Daniel McFadden.

While the film, one of the longest in this year’s festival, could use a good bit of tightening, Taymor, working with playwright Sarah Ruhl on the screenplay, successfully adapts and fleshes out material from Steinem’s 2015 autobiography My Life on The Road. Four actors portray Steinem at various stages in her life. As a child (Steinem was born in Toledo, Ohio), actor Ryan Kiera Armstrong is charming, especially in the way she loves her father Leo (Timothy Hutton), a traveling antiques dealer who also owned a small lake resort in Michigan just north of the Ohio border. In her teens (Lulu Wilson), she sees her mother’s mental health and depression problems deepen. Later, she moves to New York City, staking a career in journalism (Alicia Vikander). Actor Julianne Moore has the greatest share of screen time, portraying the activist, and unquestionably the film’s strongest chapter. Steinem appears as herself in the closing scenes.

In some moments, the four actors appear simultaneously, riding on a Greyhound bus, assessing and discussing the events and decisions surrounding Steinem’s life. There are some aspects of Steinem’s early life and family that could have been incorporated to strengthen the film’s first chapter.

While we hear about her mother’s (Enid Graham) work in journalism, at one point, Ruth Nuneviller had quite the promising journalism career. Steinem’s parents met at The University of Toledo during the earliest years of The Collegian student newspaper, then known as the Toledo Universi-Teaser. Her father was the newspaper’s first editor-in-chief in 1919 and in the following year, Ruth was the paper’s second editor-in-chief, who also wrote investigative news pieces and a humor column called Answers by Miss Anne Circe. Later, she worked for the Toledo Blade newspaper. The parents later divorced, as noted in the film.

Julie Taymor, director of The Glorias, an official selection of the Premieres program at the 2020 Sundance Film Festival. Courtesy of Sundance Institute.

Other bits of biographical detail could have anchored the early years more effectively. Steinem’s family roots seeded her passion for activism. Leo’s mother worked for the suffragette movement and was the first woman member of the Toledo Board of Education. Ruth’s grandmother worked for Jane Addams and her mother was head of the county tax and revenue office in Kenton, Ohio but decided to leave her post when she was married.

Meanwhile, the section about Steinem’s rise as a national activist brings some of the film’s strongest impact, especially in performances highlighting Steinem’s fellow activists. Notable examples are Lorraine Toussaint’s magnificent interpretation of  Florynce “Flo” Kennedy, a civil rights lawyer and one of the leading black feminists who paved the way for Steinem and others to gain their place on the national stage. Bette Midler truly brings former U.S. Representative Bella Abzug back to life in her performance. Likewise, Janelle Monáe delivers a worthy portrayal of Dorothy Pitman Hughes, a civil rights and feminist activist who joined Steinem in founding Ms. Magazine in 1972.

Filmmakers have decided to donate profits, as reported in Variety, to a fund dedicated to women’s issues, as selected by Steinem.

The Glorias is a project that received a Utah Film Center‘s fiscal sponsorship and the center’s co-founder Geralyn Dreyfous (Impact Partner Films) is one of the film’s executive producers.

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Les Roka
I am a native of Toledo, Ohio, having received my Ph.D. in journalism and mass communication from Ohio University's Scripps School of Journalism in 2002. In addition to teaching at Utah State University and the University of Utah, I have worked extensively in public relations for a variety of organizations including a major metropolitan university, college of osteopathic medicine, and community college. When it comes to intellectual curiosity, I venture into as many areas as possible, whether it’s about music criticism, the history of journalism, the practice of public relations in a Web 2.0 world and the soon-to-arrive Web 3.0 landscape, or how public debates are formed about many issues especially in the political arena. As a Salt Lake City resident, I currently write and edit a blog called The Selective Echo that provides an entertaining, informative, and provocative look at Salt Lake City and its cosmopolitan best. I also have been the U.S. editorial advisor for an online publication Art Design Publicity based in The Netherlands. And, I use social media tools such as Twitter for blogging, networking with journalists and experts, and staying current on the latest trends in culture and news. I also have been a regular monthly contributor to a Utah business magazine, and I have recently conducted a variety of editing projects involving authors and researchers throughout the country and the world, including Dubai, Saudi Arabia, Canada, Lebanon, Cyprus, the United Kingdom, France, and Japan. I’m also a classically trained musician who spent more than 15 years in a string quartet, being involved in more than 400 performances.

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