Voodoo Theatre Company’s production of Jen Silverman’s The Moors effectively extracts its most important epiphanic impact
In fashioning complicated characters that encourage audiences to handle more than one thought about a person in their minds, playwright Jen Silverman has always deftly handled themes of isolation, paranoia and loneliness well while suggesting larger social epiphanies in her stories. That certainly is the case in The Moors (2017) and the latest Voodoo Theatre … Read more