When Adam Sklute joined Ballet West as artistic director in 2007, it had been nine years since the company had last produced any new work. But, that would change dramatically. For example, between 2011 and 2016, Ballet West presented 16 Utah premieres of works by past and present choreographers. By 2016, the company’s Innovations program … Read more
Closing out its 59th season with DEUX, Repertory Dance Theatre (RDT) brought out two crown jewels from its extraordinary catalog with performances that once again put the exclamation point on why the company is heralded as one of modern dance’s most distinguished institutions. Conditioned with stamina, grace and agility that would be the pride of … Read more
At 2024 Sundance, two documentaries about artificial intelligence premiered that raised tantalizing questions about whether in some way or another, could we really live forever. In Love Machina, director Peter Sillen highlighted a head-and-shoulders robotic bust which unquestionably does not resemble the flesh-and-blood version of the individual upon which it was modeled but it also … Read more
Two warhorses from Repertory Dance Theatre (RDT)’s choreographic catalogue will highlight DEUX, the company’s closing production for its 59th season. In advance of RDT’s 60th anniversary season coming this fall, the company has presented works of landmark importance during the 2024-25 season. The two choreographers represented in DEUX are among the most significant in RDT’s … Read more
Every spring, Samba Fogo’s show is galvanizing in entertainment excellence and respectful cultural education but its most recent Dancestral production is certainly the best of the series to date. It was a tight and exhilarating show that highlighted many roots of Brazil’s uniquely multifarious language of music and dance. This show stood out in representing … Read more
EDITOR’S NOTE: The Utah Review is grateful to playwright Matthew Ivan Bennett for reviewing From the Borderlands to the Roots, presented by Punto de Inflexión as part of the ten-day Corriente Alterna festival, with PROArtes México. In the opening of From the Borderlands to the Roots—an ambitious, cohesive, and moving fusion of dance and visual … Read more
With two world premieres, Re-Act, Ririe-Woodbury Dance Company’s closing production for its 61st season, will be a landmark event. It marks the final show for Daniel Charon as artistic director, who is stepping down after 12 seasons. Also, there is the world premiere of A Mischief Sublime by Annalee Traylor, the company’s inaugural Choreographic Canvas … Read more
Stories such as Aladdin are timeless and great for all ages but the best opportunities to judge how interpretations of these classic tales in the performing arts resonate with young audiences is to ask them to take the reviewer’s seat. Recently, The Utah Review, with the assistance of Christal Jackson, an English teacher and ELL … Read more
If there was an overarching theme to the astonishing triple bill in Ballet West’s production that culminated in the riveting performance of The Rite of Spring, it would be contemplation, continuity and connection for humans living in a largely symbolic world. The opening night performance of works by three choreographers featuring the music of Stravinsky … Read more
The facts about the revolutionary character of Igor Stravinsky’s The Rite of Spring are well known. Capitalizing upon the triumphs of The Firebird (1910) and Petrushka (1911), Sergei Diaghilev commissioned The Rite for The Ballets Russes. A dream team had been assembled for its premiere and rehearsals had proceeded without incident: Vaslav Nijinsky developed the … Read more