Tag: Daniel Charon
Along with a world premiere by the locally based choreographer duo LajaMartin, Precipice, the 59th season opener for the Ririe-Woodbury Dance Company, will feature the reconstruction of To Have and to Hold, one of the most widely...
World premieres of works by two of Salt Lake City’s preeminent dance institutions (Repertory Dance Theatre and Ririe-Woodbury Dance Company), along with a splendid, innovative solo piano concert by Hsiang Tu, as presented by the Gina Bachauer...
INTRODUCTION
It has been an enormous project to regain the spirited momentum that many arts and cultural organizations in Utah’s creative industries had amassed before the pandemic brought everything to a ground stop in...
With live performances resuming on several fronts, the arts calendar for the fall season in Salt Lake City has returned to levels not seen since the fall of 2019. The Utah Review offers reviews of three shows,...
It’s been nearly 20 months since Ririe-Woodbury Dance Company had a live concert -- Allegory -- in its regular season. This week, the company opens its 58th season in the Rose Wagner Center for Performing Arts’ Jeanne...
Three recent virtual events emphasize just how well three Salt Lake City performing arts institutions continue to sustain their creativity and visibility.
PLAN-B THEATRE: P.G. ANON
Plan-B Theatre always is a...
What appears to be a genuinely holistic appreciation of the potential of home in all of its meta dynamics will anchor the forthcoming premiere of Home Run by the internationally renowned Ririe-Woodbury Dance Company.
INTRODUCTION
One year ago, when The Utah Review presented the 2019 edition of the top 10 moments of the Utah Enlightenment, it was a jubilant representation of Utah’s integral strengths as a community of...
While virtual presentations in the performing arts abide by pandemic-related constraints and adjustments in social distancing, they also afford unique advantages. The case for such advantages is evident in Double Take, the film of the historic collaborative...
Modern dance always has adapted to extraordinary circumstances. “We always have been willing to improvise, adjust and be flexible,” Linda C. Smith, co-founder and executive artistic director of Repertory Dance Theatre (RDT), explains. “If we couldn’t afford...
