It is clear to comprehend why Julie Jensen’s outstanding body of plays have earned her the honor of being Utah’s most widely produced playwright in and out of state. With her exceptional instincts for word economy and layering wholly credible emotional profiles for her characters, Jensen’s plays evoke Utah’s geography while conveying epiphanies that are … Read more
As appealing as collaboration is, many arts organizations are more likely to make a bit of an awkward, even contentious mess of it. In some instances, performing arts organizations choose the safer route for collaborating, by setting a broadly articulated theme for everyone to contribute their distinct piece to the effort. But, if groups sincerely … Read more
While Modest Mussorgsky’s Pictures at an Exhibition is among the most familiar pieces in the classical musical repertoire, it might surprise more than a few just how little we actually know about what the composer’s expressive intentions were when he composed in 1874 the piano score in memory of his friend, the Russian painter and … Read more
PYGmalion Theatre Company has been on a golden run in recent productions stretching to last season and its latest featuring Julie Jensen’s Last Lists of My Mad Mother is stellar in every measure. Directed by Morag Shepherd, this one-act gem is carried by the perfect chamber theater ensemble chemistry of actors Reb Fleming, Tamara Howell … Read more
This year’s selections in The Utah Review of the top ten moments of the Utah Enlightenment in 2023, the ninth annual edition, were the easiest to curate in the nine years of publishing this annual list. Likewise, selecting the top moment among the ten was just as easy. In Utah, there are creative producers in … Read more
Some 60 years after Marie Curie died (in 1934) from a rare blood disorder caused by her work with radium and polonium, the French government had planned to move her body as well as that of her husband Pierre to the Panthéon. However, the team responsible for exhuming their coffins had to be extraordinarily cautious … Read more
As Lane Richins’ good-hearted play Near Mint opens on the Pygmalion Theatre Company stage, the sunny mood signals that ‘Cracker’ Jack Patterson, retired pro baseball catcher, feels his life is pretty close to ‘near mint’ condition. It is 1988 in California. With his best friend, Pepper Crawford, they host a popular AM radio show for … Read more
The regular sign off on the fictitious Cracker Jack and Pepper Radio Show neatly summarizes the theme of Lane Richins’ new play Near Mint: “Thanks for joining us, and remember, baseball isn’t life, but life’s no good without baseball.” Along with the radio show, Pepper Crawford helps run her best friend’s baseball card shop. Her … Read more
SALT LAKE ACTING COMPANY: HAIRY AND SHERRI Watching Hairy and Sherri, Adrienne Dawes’ new play which is receiving outstanding acting performances in a premiere production by the Salt Lake Acting Company (SLAC), requires the audience member to focus on the characters’ nuanced body language and nonverbal actions. Those subtleties propel the significant epiphanies of Dawes’ … Read more
In a scene in the middle of Mountain Meadows, a new play by Debora Threedy, Nita tells a Mormon elder, “We can’t put Mountain Meadows behind us if we won’t even admit it happened.” He replies that no one has denied its occurrence and that not talking about it might be the “best thing for … Read more