Misery, one of Stephen King’s best novels, is about an author’s deepest terror as he desperately tries to figure out how to stay alive, while he is imprisoned in the home of the woman who calls herself “his number one fan.” When the 1987 novel was adapted three years later into a film, directed by … Read more
The question of and quest for personal dignity come through with sharp bites in the outstanding production of Paul Zindel’s The Effect of Gamma Rays on Man-in-the-Moon Marigolds, with Immigrant’s Daughter Theatre in collaboration with Hart Theater Company. Directed by Morag Shepherd, the production reinvigorates for a contemporary generation a 1965 play which some critics … Read more
Becoming more popular than its precursor “dream on,” the slangy derisive “in your dreams!” quickly took hold in the 1980s, making it painfully aware that despite desiring so much for something to happen, it will never be. With eight miniature scenes by four Utah playwrights, presented to a tiny audience of six persons per performance, … Read more
PYGmalion Theatre Company has been on a golden run in recent productions stretching to last season and its latest featuring Julie Jensen’s Last Lists of My Mad Mother is stellar in every measure. Directed by Morag Shepherd, this one-act gem is carried by the perfect chamber theater ensemble chemistry of actors Reb Fleming, Tamara Howell … Read more
Earlier this year, playwright Morag Shepherd directed the excellent Pygmalion Theatre Company production of Debora Threedy’s Mountain Meadows, which was about historian Juanita Brooks’ search for the truth behind the Mountain Meadows massacre, one of the darkest stains in Mormon history. With news of the massacre, The Church of Jesus Christ of Latter-Day Saints institutionalized … Read more
WASATCH THEATRE COMPANY: MELANCHOLY PLAY For the Wasatch Theatre Company production, Director Morag Shepherd took to heart Sarah Ruhl’s instructions for Melancholy Play: A Contemporary Farce: “Melancholy in this play is Bold, Outward, Sassy, Sexy and Unashamed. It is not introverted. It uses, instead, the language of Jacobean direct address.” In a very smart, gratifying … Read more
SALT LAKE ACTING COMPANY: HAIRY AND SHERRI Watching Hairy and Sherri, Adrienne Dawes’ new play which is receiving outstanding acting performances in a premiere production by the Salt Lake Acting Company (SLAC), requires the audience member to focus on the characters’ nuanced body language and nonverbal actions. Those subtleties propel the significant epiphanies of Dawes’ … Read more
In a scene in the middle of Mountain Meadows, a new play by Debora Threedy, Nita tells a Mormon elder, “We can’t put Mountain Meadows behind us if we won’t even admit it happened.” He replies that no one has denied its occurrence and that not talking about it might be the “best thing for … Read more
In a cramped Bronx apartment, the chance encounter between Donatello Angelo Bucci (a/k/a Donnie) and Svetlana Orlova, whose name translates from Ukrainian to “Holy Eagle,” peels away many layers but it really is the quest for self-love that pops in the epiphany of the outstanding two-hander play Dreamers by Ariana Broumas Farber. Directed by Stephanie … Read more
In Morag Shepherd’s two-hander My Brother Was A Vampire, the banter between siblings of Callum and Skype is often crisp, tart and sardonic but the music, lighting and sound design in the play are the elements that truly bring forth the darkness, vulnerability and brutality underlying their story. There is nothing milquetoast in the outstanding … Read more