Four Utah premieres featuring works by two choreographers who have had a major impact on ballet and Broadway are on deck for Ballet West’s newest production West Side Story: Broadway & Beyond, which opens Friday, April 10, to start a run of six performances in the Capitol Theatre. In a literal storybook season for the … Read more
To borrow the words of Adam Sklute, Ballet West’s artistic director, Trey McIntyre’s Peter Pan becomes “almost a living pop-up book.” The company’s Utah premiere of this 2002 evening-length ballet affirmed these words, with sensational and touching impact in every facet of the production. It was a toy treasure chest: Wiliam Lynch’s raw charisma and … Read more
Puer Aeternus translates from Latin into eternal boy, a mythological description of an eternally young child-God. All children, except one, grow up. In J.M. Barrie’s timeless classic, Peter Pan’s eternal youth is preserved and in both the play and novel the author wrote, Peter teaches the Darling children to fly, thanks to sparking their imagination … Read more
Offering a twin bill that any ballet company would deem difficult to pull off successfully, Ballet West was unfazed on opening night, presenting equally glorious performances of Sir Frederick Ashton’s The Dream, a Victorian-era adaptation of Shakespeare’s A Midsummer Night’s Dream, and Bronislava Nijinska’s Les Noces (The Wedding). The Dream was enchantment par excellence. Ashton’s … Read more
Not wasting any time after concluding its superb production of Romeo & Juliet, Ballet West will open a twin-bill Nov. 7, with weddings as centerpieces in both works. A delightful gem, Sir Frederick Ashton’s The Dream, a Victorian-era adaptation of Shakespeare’s A Midsummer Night’s Dream, blends classical ballet with theatrical comedy, including a male dancer … Read more
“Only one who knows English in its Elizabethan fullness, who can ride with gusto the Elizabethan winds of rhetoric, lyric, and vituperation, who puts no bounds to the theater’s mirroring of nature and release of imagination, can bring to Shakespeare’s plays their merited acceptance with open arms and heart,” the American historian Will Durant wrote, … Read more
The historical significance of Ballet West’s 62nd season opener, Romeo & Juliet, for the company cannot be overstated. As early as the late 18th century in Italy, ballet versions of Shakespeare’s famous play were being staged and in the first decades of the 1800s, versions cropped up in Denmark and Russia. But it was Sergei … Read more
When Adam Sklute joined Ballet West as artistic director in 2007, it had been nine years since the company had last produced any new work. But, that would change dramatically. For example, between 2011 and 2016, Ballet West presented 16 Utah premieres of works by past and present choreographers. By 2016, the company’s Innovations program … Read more
The facts about the revolutionary character of Igor Stravinsky’s The Rite of Spring are well known. Capitalizing upon the triumphs of The Firebird (1910) and Petrushka (1911), Sergei Diaghilev commissioned The Rite for The Ballets Russes. A dream team had been assembled for its premiere and rehearsals had proceeded without incident: Vaslav Nijinsky developed the … Read more
For this weekend’s Ballet West revival of Aladdin as part of the company’s Family Classics Series, audiences will have an excellent opportunity to see some of the rising stars of ballet’s newest generation. For example, in 2018, when Aladdin was last presented, it featured many current Ballet West artists in early roles, including Principal Artist … Read more