Four Utah premieres featuring works by two choreographers who have had a major impact on ballet and Broadway are on deck for Ballet West’s newest production West Side Story: Broadway & Beyond, which opens Friday, April 10, to start a run of six performances in the Capitol Theatre. In a literal storybook season for the … Read more
Editor’s Note: In extending its tradition, The Utah Review, with the assistance of Christal Jackson, an English teacher and ELL coordinator at City Academy, asked two students to review Ballet West’s world premiere production of The Legend of Sleepy Hollow by Pamela Robinson-Harris, Ballet West’s rehearsal director, who has been the creative force behind Family … Read more
One of the greatest hallmarks in 20th century choreography was a broad movement of multi-media dance compositions performed by the Blue Man Group, Cirque du Soleil, Pilobolus and MOMIX. Influenced in part by the legendary choreographer Alwin Nikolais, these groups have honed elements including multimedia, costumes, music and lighting techniques. One example was Physalia, a … Read more
Published in 1820, Washington Irving’s The Legend of Sleepy Hollow stands out as America’s first ghost story. The town’s residents enjoy telling stories of the supernatural and The Headless Horseman is among the most fascinating. The ghost of a Hessian mercenary hired by the British during the Revolutionary War who was decapitated by a cannonball, … Read more
To borrow the words of Adam Sklute, Ballet West’s artistic director, Trey McIntyre’s Peter Pan becomes “almost a living pop-up book.” The company’s Utah premiere of this 2002 evening-length ballet affirmed these words, with sensational and touching impact in every facet of the production. It was a toy treasure chest: Wiliam Lynch’s raw charisma and … Read more
Puer Aeternus translates from Latin into eternal boy, a mythological description of an eternally young child-God. All children, except one, grow up. In J.M. Barrie’s timeless classic, Peter Pan’s eternal youth is preserved and in both the play and novel the author wrote, Peter teaches the Darling children to fly, thanks to sparking their imagination … Read more
Editor’s Note: In extending its tradition, The Utah Review, with the assistance of Christal Jackson, an English teacher and ELL coordinator at City Academy, asked two students to review Ballet West’s production of Willam Christensen’s The Nutcracker. For a preview ahead of this year’s production, see this link to The Utah Review feature. Before turning … Read more
For Ballet West dancers, the company’s historic production of The Nutcracker is more than an annual holiday tradition. For many, it is a proving ground. It is sort of a report card for dancers who are ready to expand into more prominent performing roles not just in The Nutcracker but also in the company’s internationally … Read more
Offering a twin bill that any ballet company would deem difficult to pull off successfully, Ballet West was unfazed on opening night, presenting equally glorious performances of Sir Frederick Ashton’s The Dream, a Victorian-era adaptation of Shakespeare’s A Midsummer Night’s Dream, and Bronislava Nijinska’s Les Noces (The Wedding). The Dream was enchantment par excellence. Ashton’s … Read more
Not wasting any time after concluding its superb production of Romeo & Juliet, Ballet West will open a twin-bill Nov. 7, with weddings as centerpieces in both works. A delightful gem, Sir Frederick Ashton’s The Dream, a Victorian-era adaptation of Shakespeare’s A Midsummer Night’s Dream, blends classical ballet with theatrical comedy, including a male dancer … Read more