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Mandi Barrus

A new twist to annual list of crowning achievements: The Utah Review’s Top 10 Moments of the Utah Enlightenment in 2022

December 20, 2022 by Les Roka

This year’s selection in The Utah Review of the top ten moments of the Utah Enlightenment in 2022 was easily the quickest to lock in, considering the possibilities. There were no close calls. The ten selections were a slam dunk. This year, however, presented the opportunity for a twist. While nine of the ten selections … Read more

Categories Arts, Dance, Educational, Event, Featured, Film, Literature, Museum, Music, News, Opera, Review, Theatre Tags Anthony R. Green, Ariana Farber, bill evans, carleton bluford, Charles Ives, Concord Revisited, connor rickman, Daniel Do, David Rios Ferreira, Denae Shanidiin, Dreamers, Emilio Casillas, Hard Times, Heydar Rasoulpour, Immigrant's Daughter Theatre, ines thiebaut, Jacob Lewis, jason eckardt, Jason Hardink, lajamartin, latoya cameron, lauren curley, Mandi Barrus, Matthew Ivan Bennett, NEXT Ensemble, Opera Contempo, rachel barker, Repertory Dance Theatre, Ririe-Woodbury Dance Company, Screendance, sedimented here, steve roens, The Bunker, The Clean-Up Project, The Combat, The Whole Lot, Top 10 moments of the Utah Enlightenment 2022, UMFA ACME Lab, Utah Enlightenment, utah film, utah film commission, utah museum of contemporary art, utah museum of fine arts, wasatch theatre company Leave a comment

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