EDITOR’S NOTE: Ballet West is celebrating its 60th anniversary and the newest production, which opens Nov. 3, is a tribute to Willam F. Christensen, who co-founded the company. Featured are Christensen’s version of The Firebird, the world premiere of Fever Dream by Joshua Whitehead, recently retired and long-term Ballet West artist, and George Balanchine’s Stars … Read more
What better way to celebrate the Halloween season than with the first-class productions of Ballet West’s Dracula and Pioneer Theatre Company’s The Rocky Horror Show. BALLET WEST: DRACULA By Chris Myers In 1997, choreographer Ben Stevenson chose to celebrate the centennial of Bram Stoker’s Dracula with a ballet adaptation that would not have seemed out … Read more
The trope of the female ballerina has forever been at the core of classical ballet, on and off stage. But, as with the spectrum of all performing arts companies and organizations, the world of classical ballet is slowly coming around to the realities of staying viable in an artistic world that represents new generations of … Read more
With each work evoking its unique intricate, intuitive rhythmically reciprocal relationship between music and movement, the trio of Ballet West premieres in its most recent production proved to be the crowning highlight of the company’s superb 59th season. A complex program of rigorous demands in all aspects, the presentation of Bronislava Nijinska’s Les Noces, Jerome … Read more
BALLET WEST: SLEEPING BEAUTY EDITOR’S NOTE: This Ballet West review is written by Chris Myers of Argyle Arts. In ballet, opera, theater, and even the classical concert world, there are a number of challenges that arise when presenting what might be considered an “historically accurate” or “original practice” version of a work. But perhaps the … Read more
It might surprise many readers that for critics, writing a review of The Nutcracker ballet is actually not as easy as it might appear. It is one of the most widely performed works in the end-of-the-year holiday season and audiences love it, whether it is in a lavish professional production or a small-town amateur community … Read more
EDITOR’S NOTE: The Utah Review is pleased to present this review by guest writer Chris Myers of Argyle Arts. Good artistic programming can result in a performance that is more meaningful than the sum of its already formidable parts. Paired properly, works interact with one another, providing new perspectives and highlighting themes that might otherwise … Read more
INTRODUCTION It has been an enormous project to regain the spirited momentum that many arts and cultural organizations in Utah’s creative industries had amassed before the pandemic brought everything to a ground stop in the early spring of 2020. With resilience and durability exercised to their intrinsic advantages for respective organizations, many creative producers also … Read more
In The Dance of The Building, the ingeniously crafted sixth episode of the In The Balance: Ballet for a Lost Year documentary series, one of the crew leaders for setting the stage of Ballet West’s performances in the Capitol Theatre in downtown Salt Lake City, explains that the real legacy of civilizations in history comprises … Read more
For the second year in a row, Ballet West opens their season with works from renowned choreographer George Balanchine. Noted in the ballet world as a modern-day genius, this year’s Ballets Russes features a triple bill of his most significant early works created for the Ballets Russes in France. Imagined when Balanchine was in his … Read more