Tag: Utah Film Center fiscal sponsorship
EDITOR’S NOTE: Part I is an overview of the Utah film industry in the current moment. Part II (tomorrow) will offer a summary preview of the Sundance 2023 feature-length and short films, which The Utah Review will...
EDITOR’S NOTE: Part I is an overview of the Utah film industry in the current moment. Part II (tomorrow) will offer a summary preview of the Sundance 2022 feature-length and short films, which The Utah Review will...
In the U.S., the art of dance has been a revolutionary art form. Dance artists and choreographers have expanded the possibilities of movement languages and their own distinctive vocabularies to produce work that often speaks to the...
In a Bay Nature magazine essay published earlier this month about what Californians should learn from recent years of devastating wildfires, Don Hankins poses the central question and context:
Where did we go wrong,...
EDITOR’S NOTE: Part II summarizes the films and programs from Sundance 2021 that are part of The Utah Review coverage. For Part I which is an overview of the state of the film industry in Utah, see...
As The Utah Review noted as part of its Sundance coverage in 2018, “there is a beautiful curation of artistry in every element of 306 Hollywood, a gem of a documentary directed by Elan Bogarín and Jonathan...
Director Julie Taymor had hoped to close The Glorias, an admirable creative nonfiction treatment of Gloria Steinem’s historic life that premiered at Sundance, on a different note. Anticipating that Hillary Clinton would win the 2016 presidential election,...
Making its Sundance premiere, Feels Good Man, directed by Arthur Jones, is a perfect documentary of multidisciplinary value. In addition to being thoroughly entertaining, it offers an outstanding case study about social media, its role in politics,...
