Tag: Utah Film Center
EDITOR’S NOTE: Part I is an overview of the Utah film industry in the current moment. Part II (tomorrow) will offer a summary preview of the Sundance 2022 feature-length and short films, which The Utah Review will...
EDITOR’S NOTE: The Utah Review is providing daily coverage of the Utah Film Center’s 18th annual Damn These Heels Queer Film Festival. Follow daily for feature reviews of the 2021 slate during the festival.
In 2018, speaking at a Wharton leadership conference, Kelly Martin, who was the chief of fire and aviation management at Yosemite National Park, told participants, “It doesn’t hurt for the senior executive person to take individuals aside...
EDITOR’S NOTE: Part II summarizes the films and programs from Sundance 2021 that are part of The Utah Review coverage. For Part I which is an overview of the state of the film industry in Utah, see...
EDITOR’S NOTE: Part I is an overview of the Utah film industry in the current moment. Part II (tomorrow) will offer a summary preview of the Sundance 2021 feature-length and short films, which The Utah Review will...
By the 1960s, drive-in theaters already were on the retreat, thanks to the growing number of multiplexes, the dominance of television and a broader trend of declining movie attendance. Depending on one’s perspective, drive-ins either were described...
EDITOR’S NOTE: The Utah Review is providing daily coverage of the Utah Film Center’s 17th annual Damn These Heels Queer Film Festival. Follow daily for feature reviews of the 2020 slate during the festival.
The absorbing, intricately structured documentary Public Trust opens with a majestic, joyous montage of America’s public lands, accompanied by stirring orchestral music and narrated by journalist Hal Herring. However, the film quickly segues into the public land...
A significant epiphany in the exceptional documentary BOSS: The Black Experience in Business is how director Stanley Nelson chronicles everything that Black entrepreneurship has come up against through more than three centuries of history, yet still achieving...
Film critic Pauline Kael emerged during one of Hollywood’s most significant transitional periods of The New Hollywood, followed almost immediately by the first wave of modern blockbusters. Of Jaws, she called it "the most cheerfully perverse scare...
