INTRODUCTION One year ago, when The Utah Review presented the 2019 edition of the top 10 moments of the Utah Enlightenment, it was a jubilant representation of Utah’s integral strengths as a community of the arts and the momentum that catapulted Salt Lake City as one of the Intermountain West’s most dynamic centers for creative … Read more
While virtual presentations in the performing arts abide by pandemic-related constraints and adjustments in social distancing, they also afford unique advantages. The case for such advantages is evident in Double Take, the film of the historic collaborative season opener for the Repertory Dance Theatre (RDT) and Ririe-Woodbury Dance Company. There are obvious ones that pop … Read more
Modern dance always has adapted to extraordinary circumstances. “We always have been willing to improvise, adjust and be flexible,” Linda C. Smith, co-founder and executive artistic director of Repertory Dance Theatre (RDT), explains. “If we couldn’t afford a theater, we found a rooftop. If we didn’t have a budget for costumes, we performed in pedestrian … Read more
There always is something soothing in the familiar pop strains of such Beatles classics as I Want to Hold Your Hand, the 1963 hit that truly brought the British quartet to its fame with American audiences. Unfortunately, when one washes and sanitizes their hands, the immediate impulse to touch, however, is constrained by social distancing … Read more
Several major arts organizations in the Salt Lake City metropolitan area have adapted their programming and classes to streaming and interactive platforms. Initial responses and numbers of participants also have been encouraging, indicating that arts and culture are just as essential (if not more so), even as regular routines have been upended by the coronavirus … Read more
EDITOR’S NOTE: Mark Alvarez, an immigration attorney who also has written for various publications on many subjects along with radio and television appearances, is the guest reviewer for the Ririe-Woodbury Dance Company’s Allegory concert, which he and his family attended recently as part of the company’s Moving Parts Family Matinee Series. His review is presented … Read more
In the second chapter of his 1994 book Pale Blue Dot: A Vision of the Human Future in Space, Carl Sagan wrote about the “human-centered conceit” and the work of Copernicus and Galileo proposing to “displace us from cosmic center stage.” It was the image of the earth as a mere orbiting dot that the … Read more
Since The Utah Review started publishing in 2014, the emphasis on the Utah Enlightenment has dominated the coverage of what is new and original in the arts and culture landscape locally. Utah’s natural beauty always has appealed strongly as a branding asset. But, as we have covered the arts and cultural scene, there is no … Read more
Ann Carlson’s Elizabeth, the dance, is the supreme example of an organic, living work of art. And, the six current dancers of Ririe-Woodbury Dance Company nurtured and nourished it in a rich, superb performance in Traces, the opening concert of the company’s 56th season. As The Utah Review mentioned in an earlier preview, the 2017 … Read more
Just as families track their genealogy through tree charts, many creative artists and producers have traced their own lineage, often stretching decades, a century or more and, sometimes, even 300 years or longer. In music, the context of, say, an American School, French School or Afro-Cuban School of style, technique and pedagogy can be defined … Read more