For his novel Death in Venice, Thomas Mann’s visualization of Tadzio, the strikingly beautiful boy, was based in part on Boy with Thorn, an ancient Hellenistic bronze sculpture of a boy who was pulling a thorn from the sole of his foot. In 1970, when Björn Andrésen, who was just 15, was cast as Tadzio … Read more
A Mormon-themed dark comedy narrative and a Turkish sociological thriller surrounding two university students underscore just how rigorously curated this year’s Sundance short film program is. Gregory Barnes’ The Touch of the Master’s Hand and Serhat Karaaslan’s The Criminals are among this year’s 50 short films which were selected from 9,933 submissions. The Touch of … Read more
EDITOR’S NOTE: Part II summarizes the films and programs from Sundance 2021 that are part of The Utah Review coverage. For Part I which is an overview of the state of the film industry in Utah, see here. Films premiering this week at Sundance include documentaries about one of the greatest American choreographers of the … Read more
EDITOR’S NOTE: Part I is an overview of the Utah film industry in the current moment. Part II (tomorrow) will offer a summary preview of the Sundance 2021 feature-length and short films, which The Utah Review will cover. In several hopeful signs, given its size, Utah’s film industry has weathered the pandemic with enough resilience … Read more
INTRODUCTION One year ago, when The Utah Review presented the 2019 edition of the top 10 moments of the Utah Enlightenment, it was a jubilant representation of Utah’s integral strengths as a community of the arts and the momentum that catapulted Salt Lake City as one of the Intermountain West’s most dynamic centers for creative … Read more
A modern dance artist’s solo is more than an opportunity to demonstrate technique. It offers a rare moment for the individual artist to command the stage: to present their inner persona in ways that transcend the kinetics of the company ensemble performance. Repertory Dance Theatre’s (RDT) latest concert film Flying Solo stands out as the … Read more
By the 1960s, drive-in theaters already were on the retreat, thanks to the growing number of multiplexes, the dominance of television and a broader trend of declining movie attendance. Depending on one’s perspective, drive-ins either were described as “passion pits” for young lovers or inexpensive nights out for families with children who often fell asleep … Read more
Major anniversaries always call for big celebrations. For an independent performing arts company, a golden anniversary not only demands an extravaganza but it also is a moment to highlight the triumph of resilience in demonstrating to the community that local cultural enterprises are indispensable for elevating the social conscience and inspiring others to join creative … Read more
There always is something soothing in the familiar pop strains of such Beatles classics as I Want to Hold Your Hand, the 1963 hit that truly brought the British quartet to its fame with American audiences. Unfortunately, when one washes and sanitizes their hands, the immediate impulse to touch, however, is constrained by social distancing … Read more
This year’s film slate for the Utah Film Center’s 17th annual Damn These Heels Queer Film Festival captures the most diverse spectrum of queer voice presented in the festival’s history. Among them are the documentary Making Sweet Tea, directed by John L. Jackson, Jr. and Nora Gross, and the Australian narrative feature Unsound, directed by Ian Watson. … Read more