Three-day piano festival this week at Gina Bachauer…Les RokaJun 23, 2025Utah Arts Festival 2025 Feature Profile: Gearn Storytelling:…Les RokaJun 18, 2025Utah Arts Festival 2025 Feature Profile: Salt Lake…Les RokaJun 18, 2025FILMPreviousNextSundance 2025: With magnificent visuals and music score, Justin Lin’s Last Days is interesting narrative take on tragic death of evangelical missionaryFeb 3, 2025Sundance 2025: Twelve short films that stood out for The Utah Review this year: comedy, horror, documentary, drama, animationFeb 2, 2025Sundance 2025: All That’s Left of You is profound, deeply emotional Palestinian version of a multigenerational family sagaJan 31, 2025Sundance 2025: Come See Me in the Good Light is generously intimate portrait of Andrea Gibson and the art of performance poetryJan 31, 2025MUSICAllPreviousNextUtah Arts Festival 2025 Feature Profile: Not a reality show! blues…Les RokaJun 10, 2025Utah Arts Festival 2025 Feature Profile: Kayla Von der Heide’s ‘dreamy…Jun 9, 2025Pioneer Theatre Company’s 63rd season closer, Waitress, puts the crowning…May 8, 2025Utah Symphony’s percussionists and concertmaster Madeline Adkins among featured musicians…Apr 30, 2025Plenty of exceptionally moving masterpiece moments in Ririe-Woodbury Dance Company’s…Apr 28, 2025EDUCATIONALForm (in)Formation: Material Gallery hosts exhibition sponsored by National Council on…Mar 26, 2025Utah Museum of Contemporary Art hosts three cornerstone exhibitions for National…Mar 26, 2025Ballet West’s Family Classic Series revives Aladdin this weekend in three…Mar 24, 2025THEATREUtah Arts Festival 2025 Feature Profile: Brian Scott — accomplished…Jun 13, 2025Utah Arts Festival 2025 Feature Profile: PFUZZ—a classically trained violinist…Jun 13, 2025Utah Arts Festival 2025 Feature Profile: BrodyIZM’s ‘chaotic blend of graffiti…Jun 12, 2025Utah Arts Festival 2025 Feature Profile: House of Lewis a/k/a Dad…Jun 12, 2025Utah Arts Festival 2025 Feature Profile: Self-taught artist Collin Delgado and…Jun 12, 2025Utah Arts Festival 2025 Feature Profile: Utah band The/Theys set…Jun 11, 2025Utah Arts Festival 2025 Feature Profile: Missouri native Buddy Shaw…Jun 11, 2025Utah Arts Festival 2025 Feature Profile: DJ Rent EM Spoons…Jun 11, 2025Utah Arts Festival 2025 Feature Profile: Salt Lake City’s Theoretical Blonde…Jun 10, 2025DANCERepertory Dance Theatre’s Regalia: So You Think You Can Choreograph, its largest…Les RokaMar 11, 2025February roundup: UtahPresents, NOVA Chamber Music Series, Westminster Concert Series, Gina Bachauer…Les RokaMar 1, 2025Ririe-Woodbury Dance Company’s Re-Mix to feature restaged versions of three choreographic works,…Les RokaJan 27, 2025Repertory Dance Theatre’s Emerge was splendid multigenerational showcase of Utah dance talentLes RokaJan 16, 2025LITERATURESundance 2025: Come See Me in the Good Light is…Les RokaJan 31, 2025Read MoreSundance 2025: The Librarians documentary packs a riveting punch on…Jan 28, 2025Sundance 2025: How to Build A Library documentary is rich,…Jan 28, 2025Pioneer Theatre and Arizona Theatre companies’ co-production of fresh adaptation…Jan 15, 2025BALLETEmotional and spiritual intelligence: The Utah Review’s Top Ten Moments…Les RokaDec 18, 2024Read MoreFor their first ballet experience, two young reviewers are mesmerized…Dec 13, 2024Ballet West’s triple-bill Pictures at an Exhibition is absolutely breathtaking…Nov 14, 2024The glory of the trinity of art, dance and music:…Nov 6, 2024OPERAUtah Arts Festival 2019: The City Library’s partnership with the…Audacious, experimental, unflinching: Top Ten Moments of the Utah Enlightenment…Utah Opera opens season with Romeo et JulietteBackstage at The Utah Arts Festival 2018: Grand preview of…Opening night audience goes batty over Utah Opera’s Die FledermausThree worthy February performances: NOVA Chamber Music Series’ On the…ALL OUR LATEST ARTICLESUtah Arts Festival 2025 Feature Profile: The 19 short films in four Midnight programs of the 22nd edition of Fear No 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