Stories such as Aladdin are timeless and great for all ages but the best opportunities to judge how interpretations of these classic tales in the performing arts resonate with young audiences is to ask them to take the reviewer’s seat. Recently, The Utah Review, with the assistance of Christal Jackson, an English teacher and ELL … Read more
For this weekend’s Ballet West revival of Aladdin as part of the company’s Family Classics Series, audiences will have an excellent opportunity to see some of the rising stars of ballet’s newest generation. For example, in 2018, when Aladdin was last presented, it featured many current Ballet West artists in early roles, including Principal Artist … Read more
More apparent every year, the Utah Enlightenment is audacious, experimental and unflinching in its artistic entrepreneurship. In 2018, the pool for considering the most definitive moments of the Utah Enlightenment was as expansive and diverse as ever. The Utah Review presents the top ten moments for 2018, precisely because of promise and strength among its … Read more
Friday’s performing arts lineup at the Utah Arts Festival covers everything from electronic dance music on the Amphitheatre Stage to world premieres of jazz and dance commissions on the Festival Stage. BANDALOOP (5:30 p.m. and 7 p.m., Library Square plaza) and The Bboy Federation (6 p.m., The Round) continue their daily shows. The Big Mouth … Read more
One of dance’s most powerful functions is its capacity to express something so profoundly that the audience watching it connects to it immediately. As we have listened to the voices of the #MeToo movement that always have been there but suddenly gained the frequency and volume which has asked us to empathize on a deeper … Read more